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© kurt van der elst


Being a reflection on technology and the digital world we live in today, and considering the impact of the Covid-19 virus restricting our cultural mobility, Ellipsis was adapted to a 360° audiovisual environment and recorded as such in CC Strombeek.

The piece in VR will tour digitally to reach a diverse range of groups, including those with little or no previous experience of contemporary performance or VR technology.

Here are some behind-the-scenes pictures.





















In Kevin Trappeniers’ Ellipsis you plunge in the fast-paced, invisible world of abundant signals around us while looking for a world briefly suspended in a restful state. Ellipsis makes you contemplate on the role our human presence plays in a world dominated by technology.


Trappeniers turns elusive and transient sound, light and electromagnetic waves into visible performers. Serving wordless visual theatre, he slowly zooms in and out on our ambiguous attitude towards technology. Technology as an intermediary between people, as an algorithm that shapes and transforms our communication.


In what way does mankind remains present and responsible in a digital landscape? Do we trust too much or not enough on electronic information flows and data streams? Can we still hear each other? Does this digital womb creates a new civilisation and way of dealing with and relating to each other?


For this performance, Trappeniers works together with the Slovenian musician and composer Gasper Piano, whose main focus are frequencies, feedback and electronica.


Kevin Trappeniers shows with AntennA and Ellipsis a complementary diptych consisting of an installation in the public space and a theater performance in the black box. Both describe the relationship between humans and technology, and the mutual (mis)communication that ensues from this relationship, although they put a different emphasis. How do technological possibilities influence communication between people? And how do we as humans deal with fast-paced technological evolutions?



Dramaturge Elisa Demarré schreef een dramaturgische tekst bij dit werk.

Lees of download hier: Mens en Technologie in een Landschap van Leegtes




concept & direction: Kevin Trappeniers

sound design & music: Gasper Piano

musicians: SPECTRA (Bram Bossier: viola, Ben Faes: double bass, Hanna Kölbel: cello)

light design: Laurence Halloy

technical design: Gertjan Biasino, Jeroen Vandesande

video & animatronics: Gertjan Biasino

dramaturgy: Elisa Demarré

production management: Hanne Ghekiere

technical support: Gaspar Schelck

distribution: Vincent Company

production: Stray Light vzw

coproduction: C-TAKT, Vooruit & LOD music theatre

in collaboration with: Arts Workspace Pianofabriek

thanks to: Bijloke Summer Academy – Music Theatre (SPECTRA, LOD music theatre, KASK & Conservatory Gent, Music Centre De Bijloke & International Opera Academy), KAAP, Workspace Brussels, Charlotte Bouckaert, Stijn Demeulenaere, Lodewijk Heylen, Karl Van Welden

supported by: Flemish Government, Flemish Community Commission (VGC)

360° video registration: Gert Verboven

360° sound registration: Jürgen De Blonde

360° rental and advice: Poolpio

special thanks to: CC Strombeek


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