Kevin Trappeniers develops a stilled, visual and physical theatrical language in detailed, sensate work at the intersection of theatre, dance and visual arts. He creates mainly wordless performances where acting, lighting, sound, body and scenography are equally important.
During 2019 Trappeniers starts a new research phase with residencies throughout Belgium.
In 2018, Trappeniers worked on AntennA and Ellipsis: a complementary diptych consisting of an installation in the public space and a theatre performance in the black box. Both works relate about the relationship between human and technology, and the mutual (mis)communication that arises from it, while having a different focus. How do technological possibilities influence the communication between people? And how do we as humans handle the rapid technological evolutions?
Both the installation and the performance are on tour in 2019, both in Belgium and internationally.
Asymptote is an earlier visual theatre performance that stems from a research residency conducted and accompanied by arts works space L’L. The piece was supported and presented throughout Belgium.
Another project that originated from the research residency at L'L was the dance performance Selfed. Trappeniers worked on it in TAKT Dommelhof (Belgium) and with Plesni Teater Ljubljana (Slovenia). The reworked piece was presented as physical theatre during TAKT Festival #17.
Parallel to this, Trappeniers works as a freelance performer: a.o. in the performances/installations of the "Saturn" series by Karl Van Welden (United Planets), "Cinérama" and the series "Monster!" by Abattoir Fermé, the exhibition dance performance "Who Makes Paintings Anyway?" with Lies Borgermans, Sara Tan and Thomas Vantuycom, "The Wind Egg Project" by Haseeb Ahmed, Egle Budvytytes‘ exhibition choreographic piece "Skateboard Prayer, or Head below the Heart".